Underground newspapers: The social media networks of the 1960s and 1970s
by
Civil Rights and Labor History Consortium / University of Washington
Remembering the Black Radical Press
New Left Notes
by
Students for a Democratic Society
Scab Sheet
by
Oregon State University Students
Outcry! from occupied Berkeley
by
Radical Student Union
The Isla Vista Argo
by
The Isla Vista Argo
Rainbow Snake
by
Center for Women's Studies and Services
Berkeley Barb
by
Berkeley University Students
San Jose State College Survival Faire collection, 1969-1970
by
Alternatives Collection LD 729 .S878 1970
The Student Mobilizer
by
Student Mobilization Committee to End the War in Vietnam.
Disorientation Manual
by
New Indicator Collective
Old Mole : A radical bi-weekly
Resist! A Call to Resist Illegitimate Authority
Women Library Workers
by
Women Library Workers
Shameless Hussy review. [No. 5]
by
Shameless Hussy Press
Guardian : independent radical newsweekly.
by
Weekly Guardian Associates
The Seventies
by
Robert Bly
Independent Video S
by
schiff, Holzman, schiff Marsh
Evaluating the press: the New England daily newspaper survey
by
Loren Ghiglione
The Black newspaper in America: a guide
by
Henry G. La Brie III
The World of Fanzines
by
Fredric Wertham
There are well over 200 fanzines in current distribution, originating in almost every state in the U.S. as well as in Canada, England, Germany, Ireland, Spain, and Sweden. This is the first book about them. Few persons outside the science fiction field (where, historically, fanzine publication appears to have begun) know the meaning of the portmanteau word, fanzine (amateur fan plus magazine). Fanzines are published, written, and illustrated by young persons, usually well under 30, and bear such names as ANDROmeda, BeABohema, Comickazi, Granfalloon,and Varolika. The history of the genre is brief, dating from the 1930s, but many of the publishers and contributors have achieved considerable distinction as writers, including Poul Anderson, Ray Bradbury, and Richard Lupoff. Coming to this serious study of an unusual subject with his considerable expertise in the field of violence, Dr. Wertham has been struck, first, by the nonviolent, creative aspects of the genre and, second, by the amateur status of fanzines. His conclusion, which will surprise many readers, is that herein may lie a message for our unheroic age.
The New Journalism
by
Michael L. Johnson
